Born in Chile, Rodrigo del Pozo was awarded a scholarship to study the lute with Jakob Lindberg and singing with Nigel Rogers, and also studied with David Mason. Rodrigo del Pozo has performed with most of the leading groups specialising in the Baroque repertoire, including Canzona under Theresa Caudle, Concerto Palatino under Bruce Dickey and Charles Toet, L’Ensemble Baroque de Limoges under Christophe Coin, the Gabrieli Consort under Paul McCreesh, the Israel Camerata under Avner Biron, the Harp Consort, The King’s Consort under Robert King, the Orchestra of the Age of Enlightenment under René Jacobs, St James’s Baroque Players under Ivor Bolton and Tafelmusik under Jeanne Lamon. His engagements have further included Le bourgeois gentilhomme for the English Bach Festival, Pastore L’Orfeo with Tragicomedia under Stephen Stubbs at the Beaune Festival and the Festtage Alter Musik, Stuttgart, Arcetro Euridice (Peri) at the Drottningholm Theatre, Anacréon with Les Musiciens du Louvre under Marc Minkowski and Odes by Purcell and Blow at the Wratsilava Cantans Festival. Other performances include Handel's Acis & Galatea on tour with the Gabrieli Consort, the St Matthew Passion in Salisbury Cathedral, music by Blow, Humphrey and Purcell with the New York Collegium, Acis and Galatea with The Early Opera Company, Le bourgeois gentilhomme and King Arthur with Les Arts Florissants, Monteverdi Vespers 1610 and Mozart’s Requiem with Apollo’s Fire, a Preatorius project with the Gabrieli Consort, The Fairy Queen with the King’s Consort and the Israel Chamber Orchestra. Rodrigo del Pozo’s many recordings include credits for Auvidis-Astrée, DG, EMI, Harmonia Mundi, Hyperion and Teledec as well as engagements on BBC Radio 3 and televison and radio stations in America and Europe. Most recently released are Campra Cantatas with Canzona on the Etcetera label, Sacred Songs of Sorrow and his latest recording Esperar, Sentir, Morir with Charivari Agréable on the Signum label. Recent engagements have included St. Mathew Passion in Rosario, Argentina under Manfred Kraemer, St. John Passion with Orquesta de Cámara de Chile and B Minor Mass in Sao Pablo, Brazil with Den Häag Baroque Orchestra under Luis Ottavio Santos and Purcell St. Cecilia’s Ode (1692) with New York Collegium under Andrew Parrott.